I LOVE all the pieces below. Not only because they're insanely cool and unique, but they all have tha level of restraint to be worn over and over and over again. Even the Vivienne Westwood corset can be played around with so many top/bottom combinations and dresses for a unexpected effect. Who would of thought some of these selections, as whimsical as they may seem, can really work more than once, and even for guys (the Equpiment tartan shirt). BTW, don't forget to vote for me in the Mr. Porter Global Style Competition!
Showing posts with label NINA RICCI. Show all posts
Showing posts with label NINA RICCI. Show all posts
Sunday, October 13, 2013
15 ECCENTRIC ESSENTIALS FROM MODA OPERANDI
I LOVE all the pieces below. Not only because they're insanely cool and unique, but they all have tha level of restraint to be worn over and over and over again. Even the Vivienne Westwood corset can be played around with so many top/bottom combinations and dresses for a unexpected effect. Who would of thought some of these selections, as whimsical as they may seem, can really work more than once, and even for guys (the Equpiment tartan shirt). BTW, don't forget to vote for me in the Mr. Porter Global Style Competition!
Saturday, October 8, 2011
what if.....
you had your IDEAL designer to replace John Galliano at Dior? I don't have anyone in particular, but here's a WILD GOOSE CHASE GUESS of what could POTENTIALLY HYPOTHETICALLY happen if some of these designers take the spot.
Alessandra Facchinetti got fired from her most lucrative job as being head designer of Valentino, with rumors of Valentino himself being un-approving of her designs. I specifically remeber when she was designing for the house, and I thought it was great. I liked the modernized, experimental takes on Valentino staples. However, what could she do for Dior? Maybe a light "fairy-airy" Dior with hyper experimental shapes? Dior staples are pretty traditional, so i'm assuming if she did a twist it would have to be something super dramatic or extravagant. Might look like this....
Olivier Theyskens was at Nina Ricci for a while, and while I didn't even catch up on Nina Ricci until his last collection, it really opened my eyes to his talent. Dior could mean he texturize EVERYTHING, something I noticed with each of his Nina Ricci collections. Since he had that whole "princess" thing going on over there, and Dior is a little more mature, his pieces could end up looking like this...
and just for good measure....
Nicolas Ghesquière is doing a good job at Balenciaga. Actually.... a REALLY REALLY good job. He is one of my personal favorite designers, and each season he completely redefines "modern" and "futuristic" in a new form of dressing. HOWEVER.... WHAT
IFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
just by a WHIM L.V.M.H. was just like what the hell lets try it! It would be interesting to see how he tones down that futuristic craziness into something wearable without losing its touch, and if he does it well, could it potentially look like this?
SPECULATE AWAY!
(all images via style.com)
Alessandra Facchinetti got fired from her most lucrative job as being head designer of Valentino, with rumors of Valentino himself being un-approving of her designs. I specifically remeber when she was designing for the house, and I thought it was great. I liked the modernized, experimental takes on Valentino staples. However, what could she do for Dior? Maybe a light "fairy-airy" Dior with hyper experimental shapes? Dior staples are pretty traditional, so i'm assuming if she did a twist it would have to be something super dramatic or extravagant. Might look like this....
Olivier Theyskens was at Nina Ricci for a while, and while I didn't even catch up on Nina Ricci until his last collection, it really opened my eyes to his talent. Dior could mean he texturize EVERYTHING, something I noticed with each of his Nina Ricci collections. Since he had that whole "princess" thing going on over there, and Dior is a little more mature, his pieces could end up looking like this...
and just for good measure....
Nicolas Ghesquière is doing a good job at Balenciaga. Actually.... a REALLY REALLY good job. He is one of my personal favorite designers, and each season he completely redefines "modern" and "futuristic" in a new form of dressing. HOWEVER.... WHAT
IFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
just by a WHIM L.V.M.H. was just like what the hell lets try it! It would be interesting to see how he tones down that futuristic craziness into something wearable without losing its touch, and if he does it well, could it potentially look like this?
SPECULATE AWAY!
(all images via style.com)
Monday, April 12, 2010
bad ad.
Nina Ricci S/S 2010
It is SOOOOOOOO washed out with the powdery pink tint, and the clothes just make me think of how much better it was when Oliver was in charge. =/
[image Via TFS]
Monday, March 15, 2010
oliver theyskens for nina ricci.
What a house. I find it intriguing how Oliver's fascination with "princesses" when he was a child gets re-interpreted into his work and received by critic's as just that. Its 4AM Monday morning, and I should be doing homework ( and my mom is totally gonna leave a voicemail on my phone after reading this and ask me why wasn't I doing my homework) but instead I was watching these videos.
This is the 1st video I watched. The rounded shoulders and shapes, along with the hair and the youthful cut of the gowns do give off a princess feel. And the music just adds to the idea.
This is the 2nd video I watched. This was received by many as the princess turned into the queen. And its true. The soft shapes are gone, the woman is taller and darker, the cuts are sharper, and the colors enter richer, more stronger tones.
This is the last video I watched. The princess theme is maintained, but it is accessorized by the hair and light color pallet , as well as the youthful sex appeal.
WHY DID THEY FIRE HIM! WTF LOL
This is the 1st video I watched. The rounded shoulders and shapes, along with the hair and the youthful cut of the gowns do give off a princess feel. And the music just adds to the idea.
This is the 2nd video I watched. This was received by many as the princess turned into the queen. And its true. The soft shapes are gone, the woman is taller and darker, the cuts are sharper, and the colors enter richer, more stronger tones.
This is the last video I watched. The princess theme is maintained, but it is accessorized by the hair and light color pallet , as well as the youthful sex appeal.
WHY DID THEY FIRE HIM! WTF LOL
generation now.
After Alexander McQueen died, Franchenetti fired from Valentino, Oliver leaving Nina Ricci....and many other actions, it makes you wonder, what exactly is wrong with certian aspects of the industry? I think its a shame that some people don't recognize that its the younger designers that get it right. It's nice to buy a Chanel bag from Karl Lagerfeld, or admire a tacky Balmain dress by Decarin, but its caught my attention that its actually the older, more mature designers that get it wrong every once in a while, whether it be in terms of originality, taste, or working under a house. Karl obviously made a doo-doo with the F/W 2010 collection, sending Chubaka after Chubaka down the runway. Decarin tries to do "youth", but delivers overly-embellished, skimpy clothes every February and September. Valentino even created his own definition of beauty, and fought for it to be appreciated and it worked; however Valentino himself isn't at the house anymore now is he. It seems that the generation of designers born between the mid 70-s, late 80's have this spark. They seem to have a better understanding of design, and yes DESIGN. Not just fashion and clothing and fabric.
I experience this myself every day, seeing some of my fashion design friends sketch and create garments. It seems that most of them, refer to a cut, a time period in fashion, or a particular style. It helps but hinders. When your not a aspiring fashion designer, or are into another aspect of design and look in from the outside, it changes your way of thinking. All other aspects of design focus more on the world, and how you think and interpret it. Everything has a deeper meaning to it, and when explored, you tend to think beyond what's commercial, couture, and avant garde, and create a whole new category for your mind as your own resource. McQueen worked with tailors, and costume designers before he went onto create what he's done.The Mulleavy sister have degrees in Art History and Literature, and when combined, create the works of art they make today. I think that our generation in general have a more liberal and open mind when it comes to art in general, which allows the designers to think deeper in terms of concept. Older designers still seem to stick to the traditional aspect of things while trying to interpret what's new and fresh, which come off as a complete fail. Because truthfully, what fairly young woman would want youth delivered by a older person? It's similar to the relationship with my mother. It's not cool when she says "dude" specifically because she's older and to me, will never truly know the meaning of "dude" or how to interpret it. The same goes for designers. Its all fun and it sells but everyone that takes interest in fashion searches for pieces that go deep in explanation and visually reshape the human body. The designers below seem to think beyond 20's and 60's and "mod" and "punk" and "chic" and bias-cut and empire-waist and deliver design, whether its wearable or not. And even if they miss on some collections, when its a hit, its beyond anything ever seen.
Alexander McQueen ( created a truly Haute Couture house) - 40
Oliver (changed Nina Ricci) - 33
Alexander Wang - 25
Kate and Laura Mulleavy - 26 and 24
Alessandra Facchinetti ( made Valentino youthful )- 38
Jason Wu - 28
Pedro Lourenco ( showing his collection at Paris Fashion Week)- 19
Nicolas Ghesquiere (modernized Balenciaga) - 39
Hopefully, sooner than later, "generation now" can get the respect it deserves.....
I experience this myself every day, seeing some of my fashion design friends sketch and create garments. It seems that most of them, refer to a cut, a time period in fashion, or a particular style. It helps but hinders. When your not a aspiring fashion designer, or are into another aspect of design and look in from the outside, it changes your way of thinking. All other aspects of design focus more on the world, and how you think and interpret it. Everything has a deeper meaning to it, and when explored, you tend to think beyond what's commercial, couture, and avant garde, and create a whole new category for your mind as your own resource. McQueen worked with tailors, and costume designers before he went onto create what he's done.The Mulleavy sister have degrees in Art History and Literature, and when combined, create the works of art they make today. I think that our generation in general have a more liberal and open mind when it comes to art in general, which allows the designers to think deeper in terms of concept. Older designers still seem to stick to the traditional aspect of things while trying to interpret what's new and fresh, which come off as a complete fail. Because truthfully, what fairly young woman would want youth delivered by a older person? It's similar to the relationship with my mother. It's not cool when she says "dude" specifically because she's older and to me, will never truly know the meaning of "dude" or how to interpret it. The same goes for designers. Its all fun and it sells but everyone that takes interest in fashion searches for pieces that go deep in explanation and visually reshape the human body. The designers below seem to think beyond 20's and 60's and "mod" and "punk" and "chic" and bias-cut and empire-waist and deliver design, whether its wearable or not. And even if they miss on some collections, when its a hit, its beyond anything ever seen.
Alexander McQueen ( created a truly Haute Couture house) - 40
Oliver (changed Nina Ricci) - 33
Alexander Wang - 25
Kate and Laura Mulleavy - 26 and 24
Alessandra Facchinetti ( made Valentino youthful )- 38
Jason Wu - 28
Pedro Lourenco ( showing his collection at Paris Fashion Week)- 19
Nicolas Ghesquiere (modernized Balenciaga) - 39
Hopefully, sooner than later, "generation now" can get the respect it deserves.....
Subscribe to:
Posts (Atom)





